Zadnja želja

Predstavljam odlomek četrte zgodbe iz knjige v nastajanju Ne poskušajte tega doma – uživajte … :)

Daj, zaveži, ji rečem po vsaj stotem poskusu, da bi si pravilno zavezal kravato. Prosim …
Obrni se, odvrne in spretno zaveže zanko.
Ti si še vedno v gatah?
Hlačkah, me popravi.
Ti si še vedno v hlačkah?
Medtem ko si se ti zajebaval z vozlom na kravati, sem jaz zrihtala oba otroka …
Okej, okej … Saj nea skušam bit pametn, ampak mati bo spet zatežila, da vedno zamujam in da se v nobenem pogledu ne more zanest na mene – razn seveda na dejstvo, da se ne more zanest na mene in da sem isti ko stari … Pa še on bo danes točn ko švicarski sir, se nasmehnem, da bi skril živčnost, ki v meni raste iz sekunde v sekundo.
Zapustim kopalnico in grem v spalnico po suknjič. Mala se obrača pred ogledalom, da mi gre na smeh, pubec pa iz predsobe zavpije, naj mu kdo zaveže vezalke.
Do začetka je še dobre pol ure, zato ženin Gremooo! vsaj malo sprosti napetost.

Mati že stoji pred blokom. Skoraj negibno, le z glavo komaj opazno očitajoče kima. Ustavim in žena se brez besed presede k otrokoma na zadnji sedež.
Saj sem vedla, da bomo pozni … Mati posmrkne, se namesti na sedež s torbico na kolenih in se z dvignjeno brado zazre skozi stransko šipo. Nikdar ji ni treba vložiti pretiranega truda, da v meni zbudi slabo vest.
Dober dan tudi tebi. Priveži se.
Pa kaj, naj odletim skoz šipo … Zdaj tak nimam vec nikoga. Saj so mi pravli, boš ti že vidla tvojga Stankeca … Zdaj pa je moral it še stari … Iz torbice izkopa robcek in z vso mocjo zatrobi vanj.
Oko mi pristane na ogledalu. Žena se zadaj z dlanjo pred usti oglasi Moje sožalje in komaj zadržuje smeh. Nagnem se čez mater in ji zapnem varnostni pas. Samo ena je, mama!
Foter je bil sprevodnik. Mislim, to je vse, kar je v življenju dosegel. Cele dneve se je vozil z vlakom gor in dol po moji deželi in ta služba se je dobesednp zažrla v naše življenje. Kadar je govoril – kar je bilo sicer sila redko – je vedno znal v stavek nevsiljivo vplesti podobo vlaka: Ta svet je ko drveči vlak brez strojevodje …, Ta in ta je totalno iztiro …, Ta vlak si pa, sine, žal zamudo!
Celo zvenel je kot vlak …
Eh, za njega je mogoče tak še najbolše …
???
Mati, kaj govoriš bedarije …?
Zdaj je fsaj rešen fseh skrbi. Jaz bi tud najrajš šla za njim, reče in se zazre skozi okno. Z ženo se spogledava v ogledalu in skimava z glavo. Do pokopališča ne spregovorimo več niti besede. Tišino parajo zvoki gejmboja z zadnjega sedeža.

Parkirišče je zapolnjeno, ker ravnokar poteka še en pogreb. Naredim se, kot da nisem slišal materinega očitka, da smo zaradi naše zamude ostali brez prostora, in jih odložim pri vhodu v mrliško vežico. Parkiram kak kilometer dalje in se nazaj odpravim peš. V gneči pred vežico zaznam peščico sorodnikov, ki so prišli na očetov pogreb, in pa večje število neznanih žensk različnih starosti. Nimam pojma, kaj iščejo tu, in ko se prerivam med njimi, da bi prišel do krste, kjer že stoji mati in žena z malima, me gledajo, kot da sem vsem po vrsti pojedel puding. Vežice z žarami stojijo v ravni vrsti kot vagoni. Očetova je zjutraj še samevala, zdaj pa se je pred njo trlo žensk vseh oblik in starosti.
Mater, so ludi brezobrazni, sikne mati in se začne s komolci prerivati med njimi, da bi še enkrat preverila, ali so sveče in venci brezhibni. Če bi bil zakaj, bi jim reko, naj se spravijo na svoj pogreb!
Kaj pa, če so?
Mati obstane pred šipo in znova pritisne robček na nos.
Kaj? me vpraša, ne da bi odvrnila pogled.
Mislim, mogoče so … na … saj veš, svojem pogrebu …?
Z očmi se sprehodim po obrazih žensk, ki so vse po vrsti … No, nobeni ne bi mogel reči, da je neprivlačna. Niti tistim, ki so se nehale truditi, da bi skrile dejstvo, da so že kar nekaj časa na svetu. Drugače pa širok izbor – različno stare, različno grajene, za vsakogar nekaj.
Simpatična, drobna, kodrasta lepotička s čelom na rami stoji na sredi in me gleda naravnost v oči. Ko se mi nasmehne, me žena vprašujoče pogleda. Zmigam z rameni in punci vrnem nasmeh. Izplava iz gruče in se mi približa.
Vi ste Stankotov … mislim, pokojnikov sin? Pokojnik ji ni šel zlahka z jezika.
Stanko mlajši, pokimam in ji ponudim roko. No, samo Stanko – starejšega ni več, popravim.
Judita, reče. Pokojnik … Stanko mi je pravil o vas.
O nas? Misliš, o meni?
O tebi, pokima. Kaj je pripovedoval o meni? In kaj je ona njemu, da ji je pripovedoval o meni?
Ne skrbi – o tebi je vedno govoril samo najboljše.
Oči se mi zasolzijo. Nekomu je o meni govoril samo najboljše, medtem ko je meni vseskozi težil zaradi neuspehov v življenju.
In vidva? S prstom skačem z nje na žaro in nazaj.
Midva? Jaz sem njegova …, se obotavlja. Bila sem njegova zadnja …
Lubica?
Pokima in si obriše solzico.
Uide mi smeh. Foter, ki je bil v mojih očeh luzer, nula, puščoba in kaj vem, kaj še vse … z eno besedo sprevodnik, je imel ljubico, ki bi lahko že meni bila hčerka.
Zadnja …?, vprašam
Pokima.
Se pravi, da si ti in vse te … ženske …?
Pokima.
In kje sta se vidva spoznala?
Na vlaku …
Valda.
Tam, kjer je spoznal tudi vse druge. Z roko pokaže proti ženskam.
Moje predstave o starem so se razsule kot ogledalo in vsak košcek posebej se mi je zaril v dušo. Fotrova služba, sprevodnik na vlaku, ni bil plafon njegovih sposobnosti ali pomanjkanje ambicij, ampak enostavno najprikladnejši način, da je prišel do … Ne upam si dokončati stavka.
Midva, nadaljuje, sva se spoznala, ko sem prvič šla z vlakom v Ljubljano. Na sprejemni izpit. Bil je prijazn in mi je cel čas zatrjeval, da bom naredila, da bo to za mene mala malca …
Izkazalo se je, da je bila ona mala malica zanj. Ob začetku študija ga je že povabila v stanovanje, ki si ga je delila z dvema študentkama – na večerjo, ki jo je … on skuhal. Ozrem se proti materi, ki si s posmrkanim robčkom briše odvečno vlago iz oči. Če bi poslušala, kar pravkar poslušam jaz …
On je kuhal?
Res, bil je fantastičn kuhar in neizmerno duhovit človek.
On? Nejeverno pokažem proti žari.
Ko sem ga povabla na večerjo, si nisem niti pod razno mislila, da se bo večer končal, kot se je. S svojimi vici in lazanjo z beluši me je v sekundi spravil v …
Tu ji s kretnjo pokažem, naj neha.
Potem sem mu v zahvalo zaigrala Bachovo suito za čelo št. 1.
Si ziher, da se še vedno pogovarjava o mojem očetu?
Žal mi je, da ga ne poznaš v pravi luči, reče. Jaz sem ga v zadnjem letu – pri meni je bil vsak teden vsaj dvakrat – dobro spoznala …
Zares dobro spoznala, se mi zdi. Pa kaj je videla na njem?
Zunanja lepota je v resnici površinska, nadaljuje. Reko boš, da so to poceni floskule, ampak mela sem cel kup sošolcev, ki jih je blo veselje pogledat, pa so bli vsi po vrsti prazni in na smrt dolgocajtni. Nisem pripravljena umirat zraven nekoga, samo zato, ker pač dobro zgleda.
Kolk si pravzaprav stara?
Dvajset bom.
In si bla zadnje leto njegova lubica.
Točno. In to je blo v mojem življenju daleč najlepše leto, pravi. Mislim, ne razumi me narobe – tu ni šlo za zaljubljenost, alkaj. Šlo je za … popolno doživetje sebe in drugega. Tega se ne da opisat.
Ne? No, meni sicer ni jasno, kak je možno popolno doživet mojga starega, ampak ti si ga v enem letu očitno spoznala bolj kot jaz v 35tih …
Na koncu se je spremenil. Bolezen ga je dobesedno požirala. Telesno in duševno. Včasih me sploh ni vec prepoznal.
Ti si ga obiskovala? Kdaj?
Pred in po obiskih … Ko si bil tukaj z ženo in materjo, sem se vedno pravočasno umaknila.
Res se je zgublal … Tudi nas ni več prepoznaval. Mene je enkrat celo poklical z ženskim imenom. Ne spomnim se več, katerim, ampak mi je v tem trenutku malo bolj jasno vse skupaj.
Zato sem bla prepričana, da ne misli resno, ko me je proso, da … zbobnam vse ostale in jih pripeljem na pogreb.
Pa tukaj je ja dvajset, trideset žensk, pravim in jih preletim s pogledom. Kak si uspela prepričat vse, da so se narisale tukaj?
Niso čisto vse …
Ne?
Ne … Dve sta že pokojni, ena je poročena s kretenom, ki je ne spusti nikamor več, ena pa ga – odkar sta končala – sovraži in noče zanj niti čut.
Lepo.
No, kot sem rekla, sem mislila, da blodi, ko me je proso, naj pokličem vse ženske, ampak potem je izpod pojštra potegno seznam, ki ga je malo prej napisal … Celo nekaj telefonskih številk se je spomno, druge sem poiskala na netu.
In zakaj maš zdaj s sabo čelo?
Zaigrala mu bom …
… Bachovo suito za čelo št. 1, jo dopolnim. Ma saj je prav, da človeku, ki si ga mela rada, izpolniš zadnjo željo.
No, ko sva pa že pri zadnji želji, reče skrivnostno in pogleda naokoli, da bi se prepričala, da naju nihče ne posluša …

Tommy Boy

This is a flash fiction piece written by Laurance Kitts, who was our fourth guest, with whom I had a pleasure to talk on this blog. I hope you’ll enjoy his work as much as I did. :)

Tommy Boy
by
Laurance Kitts

The floor was covered in cowering bodies and crying echoed off the walls.

“Fuck,” Tommy said glancing out the blinds, “They have us surrounded!”
“Stick to the plan, we’ll be fine,” I said, “Gather the cash.”

The red and blue lights flickered through every window. There was no way we would make it out of here free or alive. All I was saying was sheer optimism to keep Tommy in line. Tommy was just a street thug, always one step away from being a complete lunatic.

Bang! Bang!
“Tommy, what the fuck was that?” I said.
“That bastard tried to attack me!” Tommy said, bringing in the cash.

“The cops had to have heard the gun shots you idiot, you better fucking pray Charles and Danny come busting in with the van before they do.” I said.

On cue like a bad Hollywood movie the phone began to ring, and like every bad reality cop show, the idiot answered the phone…

“Hello?” Tommy spoke into it, “Yeah. One got out of line, and I put him down. If you bastards come in here I’ll take every last one of them down with me!”

Tommy slammed the phone on the receiver.
“You should have told them nothing before making negotiations,” I screamed at him, “They’ll be gathering a team to bust in any minute now imbecile.”

The phone began ringing again. Tommy went for it, forcing my hand. I punched him in the lip gashing it open on his teeth, and then I answered the phone as his empty threats filled the background.
The announcement from the other end wasn’t the Police. I hung up the phone, and broadcasted what must have been a look of absolute defeat.

“Who was that?” Tommy asked.
“Danny and Charles aren’t going to make it, and you have ruined negotiations.”

“AHHHHH,” Tommy screamed, pacing around before turning his attention to another person in the room.

“You, get up now!” He demanded of a young girl.
“What the hell are you doing Tommy?!!” I questioned.

“I’m not going to prison without one last fuck!” He shouted, then put his gun to the girl’s temple and forced her to spread her legs on a desk. She was crying and screaming as Tommy began driving his phallus inside her. It was in that moment I completely snapped, cracking Tommy over the head with my pistol.

“I’m sorry,” I told the girl, “Fill your pockets with cash and go.” She nodded in understanding. Turning to stirring Tommy, I bent him over the desk and forced myself in. His screams louder than the girls, I clasped my hand over his mouth.

“How do you like?!!” I screamed into his ear.
He bit my hand as I pulled the trigger while painting his insides.

Crash! Crash!
Caught red handed with two duffle bags of cash and my dick in dead Tommy’s ass.

A conversation with Laurance Kitts

We’ll be talking to a VERY young emerging American writer Laurance Kitts. He is twenty-one, but has already self-published Self-Loathing and Other Forms of Cynicism under the name Laurance Friend, which is now being rewritten and fine-tuned at the moment. He also has a book of poetry, titled The Rising Sails of Hope: Poetry from the Endless Abyss, which alone would be quite an achievement, but he also has stories published on the net, studies at the college and actively writes for freedomactivists.org. You can find him at laurancekitts.com, which is not just a homepage, but also The Slit Your Wrists! E-Zine, where he encourages young artists, painters, writers and musicians to display their work. You’ll have the chance to read his transgressive-noir short story Tommy Boy here …

Laurance Kitts

Hi, Laurance. Can you tell a bit about yourself?
Well as you have covered, I just turned twenty-one. I live in a town that is internationally unrecognized other than its day of fame when Joplin, Missouri became host to a very impolite guest in the form of an F5 tornado. I’m a student at a place called Missouri Southern State University, although I’ve been on a two semester hiatus recently. There’s kind of a toss-up between English or Communications being my main major, but time will figure it all out for me. Most notoriety of mine is not based from any book, but rather my personal website. The Slit Your Wrists! E-Zine portion of the site was added mostly because I was tired of talking about myself and have begun to increasingly notice the lack of representation for upcoming talent.

At such a young age you do so many things, but seem to be quite focused at the same time. How do you manage your productivity?
Young? I’ve been living this whole time just to get this old. It should count for something!
I would say being a very driven person is the simple answer. Unlike tons of people around my age, I see the bigger picture. Seems to me so many of them think that school is the answer to succeed, but they don’t build a network or reputation to match the piece of paper. Or worse they squander talent to temporarily impress people of whatever crowd they are around. Currently there’s not much taking up my time, but when I’m enrolled full-time to school and working, the quantity of my writing lessens. It’s always been something I’ve done in my free time though.

Where do you get ideas for your stories, poems, …? What makes you write in the first place?
They come from all kinds of places. Stories are typically inspired by conversations, dreams, or real life situations. Poetry on the other hand is mainly based from emotions. Most of the poetry I write doesn’t always follow structure and appear more like songs.
As young as the fourth grade I had this notebook full of songs and constantly tried to get bands together. I think it was the expression that drew me to it. The idea that somebody out there is hearing (or reading) the way I feel and inside they feel the same. Tom Waits once said something along the lines that he played music because all other art is just trying to be music. And he was right. It all follows a similar formula. It’s all a story with its own atmosphere.

You are very active on Facebook – many posts appear on a daily basis, some of them are actually quite little literary masterpieces. How is your work and promotion of it benefited by social media?
I’m sure others would disagree with that statement, but thank you. It has built a network somewhat. There are some people that have me on Twitter or Facebook strictly based on the mild hype my website has made. Most are friends and acquaintances from all different parts of my life though.
The greatest networking tool I’ve come across in the writing world is a website called LitReactor. I’ve made several friends in such a short time hanging around on there. The feedback from other writers is the best part of that though. I recommend it to readers and writers alike.

How would you describe your style?
That’s a tough question. I don’t know if I have developed one. When first starting out, I looked to older writers such as Hemingway and Salinger for the way they could tell sad or horrible things in such a classy manner. Lately I’ve learned much from more modern writers such as Chuck Palahniuk, Richard Thomas, Craig Clevenger, Phil Jourdan, and Brandon Tietz. Most of whom I have talked to, been given feedback from, or read essays on the craft from, on the previously mentioned website called LitReactor.
As for genre, I’m all over the map. The novel previously known as Self-Loathing and Other Forms of Cynicism is more or less a romance story with a psychological twist based on true events. Then there is an anthology I’m working on with other writers called Shock & Appall that will be filled with horror stories. One of my stories in there for instance is called Jenny Christ which revolves around a southern Baptist elderly woman going crazy and abusing her daughter Jenny in the name of God, and making her pay for humanities sins. Even the flash fiction piece you will be presenting called Tommy Boy is just something I wrote for fun and shock value. I’m definitely not settled into any certain niche at this time.

What is your opinion on the writer’s mission and where do you see yourself as a writer in ten years?
The publishing world is changing. You look around and the only books you hear about are commercial fiction. Meaning it was written to be a crowd pleaser. It appears as though Hollywood has forced itself into the writing world now more than ever. People need to write for an already existing audience or chances are they won’t be read at all. It has made the writer’s mission more complicated in my eyes. I’ve met so many unpublished people that in some other generation their work would be revered rather highly. The number one best selling genre in most stores is Thriller followed by Romance and it is all a rehashing of previous work, but publishers and stores are going to milk it for all the money they can. The days of old are gone, but I always see myself writing. Even if I’m never a bestseller or made into the next blockbuster and working as a janitor. It’s just something I enjoy regardless. Within ten years I’d be happy to have several stories published in major literary journals and at least one mid-sized press published novel.

What issues do you mainly cover in the activist area of your writing? Any non-fiction book at the horizon?
There’s a broad array of things in that field I am passionate about. Outside of fiction one of the many things I do in writing is journalism. Mostly my fight is for the improvement of society not just in the United States but the world as a whole. That involves anything against war-based politics, factory farming, mistreatment of wildlife for corporate profit, and abuse of people around the world. There are many grey areas in these things and most media only covers it from one point of view. I try to put in the research and give readers either a combination of views, or sometimes even find the actual truth between it all.
I wouldn’t say non-fiction is something I haven’t thought about doing, but currently I sway more toward fictional writing with political undertones to make people think.

Who are your literary heroes?
One of my greatest inspirations is JD Salinger. As far as heroes, the list is rather huge but to be short I’ll only name a few. I adore most things from the Beatnik generation such as Charles Bukowski, Jack Kerouac, Allen Ginsberg, William S. Burroughs, and the better late than never Hunter S. Thompson. Then classics of different ages like Edgar Allen Poe, William Shakespeare, Ernest Hemingway, George Orwell, and Aldous Huxley. Even some modern writers of many different genres such as Chuck Palahniuk, Brian Lumley, Etgar Keret, Stephen King, and Jack Ketchum.

If you didn’t write, you would …?
Most people don’t believe me when I tell them this but when I first started college it was for Criminal Justice. I had this big dream of one day becoming a federal agent in the Federal Bureau of Investigation. I just had another dream eventually, I suppose. It takes some of the same strengths for that line of work that it does to write about some of the things I do. There have also been thoughts of becoming a psychologist and maybe someday I will. However, there are many jobs in writing such as screenplays, journalism, song-writing, and storytelling that makes me confident about it.

Do you have any advice for young (and not so young) writers?
Join a workshop, read essays on the craft, start networking, study the writers you look up to, and if you can, go to school. You’re also not going to get anywhere without some critics. And in the beginning the best critics you can find are ones you respect.
The biggest mistake I made and has taken lots of time to learn from is that this line of work takes more time than you could have ever planned on. I originally scribbled out a first draft of a book and self-published it. It’s only been maybe eight months since then and already I look at it and wonder what the hell I was thinking. As much as I want that story to be out in the world, it may very well be something that doesn’t have a finished product for years. That same story is on its third draft now. Nothing happens overnight and it’s something most people learn very early and quit.
The greatest advice I could give you is that no matter what bad things people say, don’t take it too personal and make it a point to prove every last one of them wrong.

Thank you, Laurance.
Thanks for having me.

Pogovor z Lauranceom Kittsem

Pogovarjali se bomo z ZELO mladim vzhajajočim ameriškim piscem Lauranceom Kittsem. Star je enaindvajset let pa je že samozaložil Sovraštvo do sebe in druge oblike cinizma pod imenom Laurance Friend, ki jo trenutno ponovno piše in uglašuje. Ima tudi knjigo pesmi z naslovom Dvigajoča jadra upanja: Poezija iz neskončnega brezna, ki bi že sama po sebi bila kar velik dosežek, pa vendar ima zgodbe objavljene po netu, študira na kolidžu in aktivno piše za freedomactivist.org. Najdete ga na laurancekitts.com, ki ni zgolj domača stran, ampak tudi e-zin Zareži si zapestja!, na katerem vabi mlade umetnike, slikarje, pisce in glasbenike, da pokažejo svoja dela. Tukaj boste lahko prebrali tudi njegovo transgresivno noir kratko zgodbo Tommy Boy …

Laurance Kitts

Zdravo, Laurance. Lahko poveš kaj o sebi?
Kot si že oznanil, sem pravkar dopolnil enaindvajset let. Živim v mestu, ki je mednarodno neprepoznavno, razen po svojem dnevu slave, ko je Joplin v Missouriju gostil zelo nevljudnega gosta v obliki tornada pete stopnje. Študiram na Državni univerzi v Missouriju, čeprav dva semestra pavziram. Odločam se med angleščino ali komunikacijami za glavni predmet, ampak to bo čas rešil zame. Sicer pa nisem toliko razvpit zaradi katere od knjig, ampak bolj zaradi osebne spletne strani. E-zin del z naslovom Zareži si zapestja! Sem dodal zgolj zato, ker sem naveličan govorjenja o sebi in ker vedno bolj opažam pomanjkanje v zastopanju prihajajočih talentov.

Glede na to, kako mlad si, počneš ogromno stvari, vseeno pa se zdiš dovolj fokusiran. Kako obvladuješ produktivnost?
Mlad? Ves čas do zdaj sem živel, da bi dočakal to starost. To šteje za nekaj! Preprost odgovor je, da sem človek v pogonu. Za razliko od večine ljudi moje starosti vidim širšo sliko. Zdi se mi, da jih toliko meni, da je šola odgovor na uspeh, ne zgradijo pa si mreže ali ugleda, ki bi se lahko meril s koščkom papirja. Ali še slabše – zapravljajo talent, da bi začasno napravili vtis na množice, ki jih obkrožajo. Trenutno mi nič ne jemlje preveč časa, ampak ko bom znova redno vpisan v šolo in bom delal, bo pisanja manj. Sicer pa sem to zmeraj počel v prostem času.

Kje dobiš ideje za zgodbe, pesmi, …? Zakaj pišeš?
Ideje prihajajo od vsepovsod. Zgodbe ponavadi navdihujejo pogovori, sanje ali resnične situacije. Poezija pa, nasprotno, temelji predvsem na čustvih. Večji del poezije, ki jo napišem, ne sledi strukturi in se zdi bolj kot pesmi.
V četrtem razredu sem imel poln zvezek pesmi in sem nenehno skušal sestaviti bend. Mislim, da me je k temu vlekla možnost izražanja. Ideja, da nekdo tam zunaj sliši (ali bere), kakor čutim jaz, in znotraj čuti enako. Tom Waits je nekoč dejal, da se ukvarja z glasbo, ker skušajo vse druge zvrsti umetnosti biti glasba. In imel je prav. Vse sledi podobni formuli. Vse je zgodba s svojim lastnim vzdušjem.

Zelo si aktiven na Facebooku – veliko objavljaš na dnevni bazi, nekatere od objav pa so prave male literarne mojstrovine. Kako družabni medij koristi tvojemu delu?
Prepričan sem, da se drugi s to izjavo ne bi strinjali, a vseeno hvala. Nekako mi je zgradilo mrežo. Nekateri me imajo na Twitterju in Facebooku zaradi blagega cirkusa, ki ga je naredila moja spletna stran. V večini pa so to prijatelji in znanci iz raznih obdobij mojega življenja.
Neajboljše orodje za mreženje, na katero sem naletel v svetu pisanja, pa je spletna stran LitReactor. Kar nekaj prijateljev sem spoznal, ko sem kratek čas visel na njem. Najboljše pa so povratne informacije piscev. Priporočam ga tako bralcem kot piscem.

Kako bi opisal svoj slog?
To je težko vprašanje. Ne vem, ali sem sploh kakšnega razvil. Ko sem začel, sem se zgledoval po piscih, kakršna sta Hemingway in Sallinger, ker sta znala tako odlično povedati žalostne ali grozljive stvari. V zadnjem času pa sem se veliko naučil od modernejših piscev, kot so Chuck Palahniuk, Richard Thomas, Craig Clevenger, Phil Jourdan in Brandon Tietz. Z večino sem govoril, dobil od njih povratne informacije ali bral njihove eseje o obrti na že omenjeni strani LitReactor.
Glede žanra pa sem nekako povsod. Roman, znan kot Sovraštvo do sebe in druge oblike cinizma je več ali manj romantična zgodba s psihološkim obratom po resničnih dogodkih. Potem je tu antologija, na kateri delam z drugimi pisci, z naslovom Šokiraj in prestraši, ta bo polna grozljivk. Ena mojih zgodb ima naslov Jenny Kristus, ki se odvija okoli južne baptistične starke, ki se ji zmeša in zlorabi svojo hčerko Jenny v imenu Boga in jo sili, da plačuje za grehe človeštva. Tudi zgodbica Tommy Boy, ki jo boš predstavil tukaj, je nekaj, kar sem napisal za zabavo in da bi šokiral. Trenutno res nisem zabetoniran v neki niši.

Kakšno je tvoje mnenje o poslanstvu pisca in kje vidiš sebe kot pisca čez deset let?
Svet založništva se spreminja. Malo pogledaš naokoli in edine knjige, o katerih lahko slišiš, so komercialna proza. Se pravi, da so bile napisane, da bi zadovoljile množice. Zdi se, da se je Hollywood bolj kot kdaj koli zažrl v svet pisanja. Ljudje morajo pisati za neko že obstoječe občinstvo, ali pa jih ne bo nihče bral. Po mojem je to še bolj zakompliciralo poslanstvo pisca. Spoznal sem toliko neobjavljenih piscev, katerih delo bi bilo v neki drugi generaciji visoko cenjeno. Številka ena najboljše prodajanih žanrov je triler, ki mu sledi romanca, vse skupaj pa je prežvekovanje obstoječih del. Ampak založbe in knjigarne jih bodo molzle za ves denar, kar ga lahko. Stari časi so mimo, ampak jaz se vidim, kako pišem. Četudi ne bom prodajni hit ali naslednja uspešnica in bom morda delal kot hišnik. To je nekaj, v čemer ne glede na vse uživam. Čez deset let bi bil srečen, če bi imel več zgodb objavljenih v večjih literarnih revijah in vsaj en roman izdan pri srednje veliki založbi.

Katere teme v glavnem pokrivaš na aktivističnem področju pisanja? Je kakšna neleposlovna knjiga na obzorju?
Na tem področju je širok nabor stvari, do katerih čutim strast. Zunaj leposlovja je ena od stvari, ki jih pri pisanju počnem, novinarstvo. Večinoma se zavzemam za izboljšanje družbe – ne le v Združenih državah, ampak na svetu kot celoti. To vključuje vse proti politiki na osnovi vojne, industrijskemu poljedelstvu, grdemu ravnanju z divjim živalstvom in rastlinstvom za dobiček korporacij in zlorabi ljudi po svetu. Veliko sivih območij je tukaj in večina medijev jih pokriva zgolj z enega zornega kota. Jaz skušam raziskovati in podati bralcu kombinacijo pogledov ali pa celo odkriti pravo resnico.
Ne bi rekel, da nisem razmišljal o neleposlovju, a se trenutno bolj nagibam k pisanju leposlovja s političnim podtonom, da bi pripravil ljudi k razmišljanju.

Kdo so tvoji literarni heroji?
Najbolj me navdihuje JD Salinger. Glede herojev pa je seznam precej obsežen. Naj omenim samo nekatere. Občudujem večino stvari generacije beatnikov, kot so Charles Bukowski, Jack Kerouac, Allen Ginsberg, William S. Burroughs in – bolje pozno kot nikoli – Hunterja S. Thompsona. Potem so tu klasiki različnih obdobij kot Edgar Allan Poe, William Shakespeare, Ernest Hemingway, George Orwell in Aldous Huxley. In celo nekateri moderni pisci različnih žanrov kot Chuck Palahniuk, Brian Lumley, Etgar Keret, Stephen King in Jack Ketchum.

Če ne bi pisal, bi …?
Večina ljudi mi ne verjame, ko jim povem, da sem začel študirati, ker me je zanimalo kazensko pravo. Sanjal sem, da bom nekoč postal zvezni agent pri FBI. Na koncu sem začel sanjati o nečem drugem, se mi zdi. Verjetno je potrebno nekaj iste moči za to delo, kot tudi za pisanje o nekaterih stvareh, ki jih počnem. Razmišljal sem tudi, da bi postal psiholog in morda nekoč tudi bom. Vseeno pa je precej služb v pisanju, recimo scenaristika, novinarstvo, pisanje besedil pesmi in zgodb zaradi katerih sem precej prepričan vase.

Kakršen koli nasvet za mlade (in ne tako mlade) pisce?
Udeležite se delavnic, berite eseje o obrti, začnite mrežiti, študirajte pisce, po katerih se zgledujete in če lahko, pojdite v šolo. Tudi brez nekaj kritike ne boste prišli nikamor. Na začetku so najboljši kritiki tisti, ki jih spoštujete.
Največja napaka, ki sem jo zagrešil in ki mi je vzela največ časa za učenje, je, da tovrstno delo zahteva bistveno več časa, kot ga lahko načrtuješ. Spisal sem prvi osnutek in ga samozaložil. Minilo je komaj osem mesecev, pa že gledam in se sprašujem, kaj za vraga sem razmišljal. Kakor koli si že želim, da bila zgodba zunaj, pa morda ne bo končen izdelek še nekaj let. Ta ista zgodba je za v fazi tretjega osnutka. Nič se ne zgodi čez noč in to ljudje spoznajo zelo zgodaj in odnehajo.
Najboljši nasvet, kar vam jih lahko dam, je, da ne glede na to, kako slabo govorijo ljudje, tega ne jemljite osebno, ampak dokažite vsem, kako se motijo.

Hvala, Laurance.
Hvala tebi za povabilo.

Slovenski pisatelj

Tri dni pred koncem lanskega leta sem v javnost dal kratko zgodbo Tri dni do konca sveta – zadevo sem spisal pred poletjem kot prvo izmed zgodb iz nastajajoče knjige Ne poskušajte tega doma, potem pa sem se odločil, da imam dovolj jajc, da jo obesim na ta blog. Prijateljem in znancem sem ves vzhičen poslal link in povabilo, da jo snamejo v svojem najljubšem formatu, jo preberejo in mi po možnosti napišejo stavek ali dva o tem, kakšna se jim je zgodba zdela.

Dobil sem precej prizanesljive tri ali štiri odzive (če seveda odštejem mnenje svojega najhujšega kritika, s katerim si delim zakonsko posteljo, in svoje mlajše kopije, ki pa itak umira od smeha ob misli, da njegov foter piše “črtice”, čeprav nima košatih brkov in … tuberkuloze).

Naslednja (logična) poteza se mi je zazdela, da bi besedilo poslal … štiridesetim posameznikom, ki se tako ali drugače ukvarjajo s knjigo: v sporočilo pripnem .mobi in .pdf in jih poprosim, da me brez milosti raztrgajo.

Tuji pisci, s katerimi se pogovarjam na tem blogu, se eksplicitna podpirajo in medsebojna promovirajo, kar me fascinira. Pri meni gre seveda za bistveno drugačno situacijo – stari prdec, ki se na pragu štiridesetih spomni, da bi tu pa tam lahko kaj napisal, se seveda ne more meriti z uveljavljenimi slovenskimi pisatelji (pa tudi samostalnik pisatelj ne gre preveč k mojemu imenu, recimo, da mi je ljubši izraz pisec, ki dejansko opisuje del tega, za kar prejemam plačo).

Ker gre za precej zaposlene ljudi, ki se poleg pisanja ubadajo še s čim drugim, sem bil presenečen, ko se jih je odzvalo štirinajst. Odzivi so bili različni: od mnenja, da je zadeva v redu in primerna za objavo pa do čisto kategorične zahteve po temeljitem premisleku, učenju pravopisa in nujni predelavi pripovedi, par pa se jih je opravičilo, da zaradi obilice dela ne morejo prebrati in podati mnenja.

Izkušnja je bila izrazito pozitivna. Slovenski pisatelj nikakor ni zatežena oseba, ki odrezana od resničnega sveta nekaj filozofira v svoji čumnati, ampak je človek, ki zna neznanemu padalcu posvetiti nekaj svojega dragocenega časa in mu dati tak ali drugačen nasvet, s katerim (če ga sprejme ali ne) lahko malo zraste.

Tukaj bi se rad zahvalil naslednjim ustvarjalcem (upam, da se bo seznam še razširil): Manca Košir, Branko Gradišnik, Boris Kolar, Marjan Pungartnik, Zdenko Kodrič, Andrej E. Skubic, Miha Mazzini, Feri Lainšček, Brane Mozetič, Darko Žlebnik, Dušan Čater, Dušan Dim, Andrej Blatnik in Metod Pevec. Iskrena hvala za povratne informacije, s katerimi sem nekolikanj zrastel v zadnjem mesecu.

The Savage World Of Men

This is the story, written by Richard Godwin. Take your time to read it and check our interview, this guy rocks! The story is also being translated to slovene. Enjoy!

The Savage World Of Men
by
Richard Godwin

Two guys wearing plaid jackets hung back in the shadows and listened to a distant song.
The melody was familiar and a little catchy and it began to rain.
Their jackets were immaculate and the drops fell more and more heavily as they stood there.
Finally the tune stopped as abruptly as if someone had cut a wire.
The older of the men, who had a grey beard that was neatly trimmed at the edges turned to the younger one and said ‘love songs make me want to kill’.
He was six foot and well muscled.
His companion was broad and had a jaw that looked like it was set in concrete.
‘It’s bitches’ music’, he said, withdrawing a toothpick from his mouth and inspecting it. ‘They’re all the same, they want romance and a little money on the side.’
‘That’ll be right Al.’
‘What now?’
‘How bout we do what we came here for?’
‘Hank I think that’s a fine idea.’

He pulled a silver Smith and Wesson from his pocket and cut a small nick into its custom designed and ornately decorated handle with a razor. Then he stepped out into the dimly lit street followed by Hank.
Their jackets looked like they were stained with blood not rain.
They walked to a pick up and drove a few miles and stopped at the edge of some property.
The metal enclosure of the vehicle seemed like a cage within which they scarcely moved.
‘The usual?’, Al said.
‘Sure. It seems to be our signature.’
‘See the quarry?’
Hank pointed up to the silhouette of a woman at the window of a large house.
She was removing her bra and a man in casual slacks and a T-shirt was watering plants in the garden below.
She pulled the blind down as Al and Hank got out.
Hank lit a cigar and blew its blue smoke into the hot night air. Then they walked through the luxuriant garden past the small waterfall and stood behind the man for a few moments until he smelled smoke and turned.
‘What do you think you’re doing? This is private land.’

‘We’re here to kill you and fuck your wife’, Al said.
The man was about to say something when Hank pulled a curved dagger from his coat.
It was a graceful gesture that formed an arc and neatly sliced the man’s neck apart. Two metres of blood shot from the wound and showered Al’s pants.
‘Look at what you’ve done’, he said, as the man dropped to the ground and Al began kicking him.
He did not stop kicking him until his head was unrecognisable and looked like a burst melon.
Then they entered the house by the back door and walked upstairs where they found the wife in the bedroom.
She was lying naked on the bed beneath a large fan.
It was a hot night and she was sweating.
Al held her down while Hank raped her then they took it in turns, one of them applying the leather bind they used to stifle their victims’ screams until she was not moving any more.
Then they watched as she crawled across the floor, trailing blood.
Al stood there as Hank rummaged through drawers and found the safe behind a picture of a lake with a woman swimming in it.
‘That a picture of you bitch?’, he said, pulling her head up by her golden hair.

He paused and laughed at the mess she and Al had made of her.
‘What’s the combination?’
She told him and he removed the money then he reached into one of the drawers and threw a tampon at her.
‘Clean yourself up whore.’
Al stood there smoking and turned on the radio.
‘Things can only get better’ was playing and he started laughing before her shot her head off.
He held the gun tight against her skull and pumped the trigger repeatedly until she was more neck than head.
Hank started laughing.
‘Now that’s what I call giving head.’
‘She’s a generous bitch’, Al said.
The only audience to their laugher was a small boy who stood in the darkened hallway clutching a blanket.
He stared at his dead and violated mother until dawn rose and he called the police.
During the entire time he had witnessed her torture and murder he had kept his thumb in his mouth.

When the emergency services arrived they found he had bitten through it.
Al and Hank had been touring the States carrying out this routine for a year when this happened.

Al and Hank had grown up in homes.
Two destitute children who had known only abuse they learned hatred young and fed on its poisoned stem until they became as savage as their abusers.
Hank had been running a small porn shop when he employed Al and they used to sit and talk after hours about the things they’d like to do.
Then one day Hank made two announcements.
‘I’m selling up’, he said. ‘I’m going on the road to do some killing, maybe a little rape too.’
Al was picking his teeth and looked at him as he inspected the result of his excavation.
‘You serious?’
‘Fuckin right. Wanna come?’
Al shrugged. He pulled a strand of red meat from the pointed wood.
‘Sure. Nothin better to do.’

They say the devil makes work for idle hands but whatever devil accompanied them on their long reign of terror was as indifferent as the insect world to human suffering.
They conducted their raids on houses with no trace of emotion whatsoever.
Al wore a permanent look of amused curiosity at the human suffering he was the accomplice in, while Hank tried at times to summon the ghost of some feeling he once knew but could not name.
One evening years later they sat and drank whisky at a crumbing motel at the edge of a small town in Mexico.
Every time they entered a hotel room they would remove the mirrors from the wall.
That evening the sky felt on fire.
Over 100 degrees of burning July heat.
‘Why do we do this everywhere we go?’, Al said, staring out of the window at the fireflies that bombed the violent night.
Hank had his boots up on a table and stared straight ahead of him.
‘Do what?’
‘Take the mirrors off the wall?’
Hank rarely looked at Al any more but on this occasion he stood and removed his boots before walking up to him and saying ‘don’t you get it?’

‘I’m askin you.’
‘We’s the mirrors, you an me we’re the same. Why would we want to see double?’
‘There’s gotta be a new way.’
‘Of killin?’
‘Yeah.’
‘What’s wrong with a little cuttin?’
‘I’m tired of the way the women look at us ain’t you?’
‘What did you think Al? You’d meet a nice girl and settle down and marry?’
‘Once maybe.’
‘We’s dog meat boy.’ Hank waved his cigar at him. ‘Likes of you an me we’s not fit. Remember those homes and all the things they did to you in there? All that money for abusing kids. So we take our revenge right? Like we discussed, we screw the wealthy wives of bastards who coin it in and we kill em. After that there ain’t no road back to a normal life. We live in the savage world of men boy, world without end.’
‘Think all men are like us?’
‘Deep down, sure, they just don’t know it yet.
‘I need to make it more exciting.’

‘Ain’t it good when those bitches piss themselves? See the humiliation in their faces? They would look down their noses at us if they passed us in the street in their designer outfits. We’s just trash to them. But this way we get to have them and kill their men. I’d say that’s a fine life.’
‘This town feels like a dead end.’
‘Everywhere’s a dead end man. That’s why we do what we do.’
‘We stayin here?’
‘We do some killin and move on.’
‘We been here longer than anywhere else Hank.’
‘Where’s that waiter?’
‘Don’t you think we’re drawing attention to ourselves?’
‘Why should we be?’
‘Two men in a room that’s nowhere?’
‘Scared of somethin Al?’
‘Just sayin.’
‘What are you sayin? That because we stem the tide of our nightmares by giving them to other people, that because we rape women and kill em we’re faggots?’

‘You still scream at night Hank.’
‘Yeah well.’
He removed his cigar and stamped it out on the tiles and looked out at the fire flies.
‘What are your nightmares Hank?’
‘That I ain’t killed enough people.’
‘Yours screams are real.’
Hank turned and looked at the face of the only person he had ever held as a constant in his scarred world and he felt the same unsettling hatred he’d begun to feel every time he did.
‘I recall the way they held me down and stuck their dicks in me, that bitch nurse watching and what she put me through in bed afterwards.’
‘She ran it?’
‘She ran the abuse of small boys and their ritual humiliation at the hands of men who paid her for organising it. She enjoyed humiliating small boys and torturing their souls.’
‘What did she look like?’
‘Can’t say as I remember.’
‘Nothin?’
‘She was blonde.’
‘Like all the women we rape?’

Hank shrugged and lit another cigar.
‘That’s the way it goes.’
‘So we kill her over and over again.’
‘Don’t you get it Al? This is about power, we had ours taken so we take it back.’
‘By killing the symbol of some nurse who’s dead.’
‘Oh she’d dead all right, pity.’
‘Pity?’
‘I wanted to catch up with her and rape her over and over again. Used to lie awake thinking about it, so when I discovered one of the boys she abused came back for her and hacked her into so many pieces the police didn’t even know what they were looking at I felt angry.’
‘Angry.’
‘Yeah. I wanted to do it. I wanted to do worse to her. I needed to. That was the biggest sense of deprivation I’ve ever known and so here we are.’
‘Here we are. You and me. Different homes, same story, save for a few details and the places you can find our scars. But sometimes I think maybe I could have took a different road.’
‘No shit.’
‘Why this one? So soaked in blood?’

‘Too late to back out now. This is about revenge.’
‘Sometimes I think you’re the devil.’
‘Does the devil wear plaid?’
‘If he does it don’t look as tired and worn as yours.’
He looked at the back of the chair on which Hank’s jacket hung like a ruined flag.
‘There’s a whore out there’, Hank said, ‘and she’s waiting for us.’
‘We kill her and we move on, we been here too long.’
‘You frightened of something Al?’
‘We never been caught. We keep moving.’
‘We go out tonight and we leave tomorrow.’
‘Besides.’
‘What?’
‘Been getting some funny looks.’
‘Back to the gay thing again?’
‘No. Not that.’
‘What then?’
‘One of the waiters.’

‘What about him?’
‘I dunno. I get the sense he suspects us, knows something.’
‘How could he?’
‘Just sayin.’
‘Yeah well, we’ll keep an eye on him.’
‘You know Hank, revenge is full of pitfalls’.
‘What you talkin about?’
‘Sometimes I think it’s a mirror.’
‘There ain’t no mirrors in our rooms.’
‘You take revenge for something that happened to you you’re killing a symbol and some part of yourself and that thing may have its own allies who come after you. If you mean to kill something you need to kill its offspring too.’
‘Like the Nazis?’
‘Like the Nazis. They wanted to wipe out an entire race.’
‘It didn’t work did it?’
‘No it didn’t Hank.’
Hank poured them both a whisky.

‘What if you’s justified?’, Al said.
‘In killing?’
‘Yeah.’
‘You ain’t.’
‘What if that person you take revenge on deserved it?’
‘His kids may not feel the same way.’
‘Everyone’s pitching their own shit?’
‘No one cares for nothin save what affects them.’
‘We like doin this though don’t we Hank?’
‘We do.’
There was a knock at the door and the waiter entered with a tray of food that smelled rank in the night air.
He was a young man whose face seemed to hold some suffering and he held his head down and did not look at the two men.
He placed the tray over on the table and held out his pad for Hank to sign.
Hank scrawled his name on the white sheet and looked with curiosity and contempt at him.
The waiter raised his eyes and held Hank’s stare, a fact that did not go unnoticed by Al, who stood by the door watching this.

Very few people could look for any length of time into Hank’s eyes.
A firefly bombed into the window and Hank looked over at the pane of glass and back to the waiter.
He dropped his eyes.
‘How’d you lose your thumb boy?’
‘An accident.’
‘There are no accidents.’
‘You’re right.’
Al thought the waiter was removing cutlery from his pocket as Hank stood there staring at him. But it was not cutlery.
He pulled a gun from his coat pocket and shot Hank straight through the head.
The gesture was so gentle it was unreadable.
Brain matter flew across the room, landing on Al, who was reaching for his weapon when the waiter fired again.
He walked over to Al, whose chest was pouring with blood.
‘This is for my mother’, he said. ‘You raped her and I watched as a small boy.’
‘Don’t you need to do worse to us?’, Al said.
‘No. For I live among men and the company they keep.’

‘Don’t you even want to torture us?’
The waiter looked down at him as he lay there and said nothing for a while.
Al searched for his image in the waiter’s eyes but all he could see were the fireflies at the window.
The waiter raised his gun and shot Al cleanly through the head then he walked out into the night.
He drove home to his wife and family.

Pogovor z Richardom Godwinom

Naš tretji literarni gost je Richard Godwin, ki je pred kratkim izdal Vstajenje apostola, triler o človeku, ki križa politike. Piše temne krimi zgodbe s pridihom grozljivke in ima zgodbe objavljene tako v tradicionalni kot digitalni obliki plus zgodbe objavljene po spletu. O njem in njegovem delu si lahko preberete na www.richardgodwin.net, kjer tudi bloga, predstavlja intervjuje s kolegi pisci (Prijateljski pomenki v klavnici), ima povezave do velike množice zgodb, itd … Njegov drugi roman ima naslov G. Glamur – torej, imejte tega tipa na očeh!

Richard Godwin

Zdravo, Richard. Hvala ti za priložnost za pogovor. Povej prosim našim bralcem kaj o sebi.
Pišem kriminalke in grozljivke, poezijo in leposlovje. Začel sem pisati drame. Predaval sem angleško in ameriško književnost na londonski univerzi. Rodil sem se v Londonu in potovanje po širnem svetu je bil del moje kariere in kulturnih interesov. Blogam v Klavnici, kjer imam nenavadne in priljubljene intervjuje s pisci.

„Candy je izgubila zob, ko ga je vlekla županu Sprucevillea“, kot se začne ena od tvojih zgodb (Dobrodošel v Drekogradu, rit) – zdaj, tak stavek ti ne dovoli stran od zgodbe, dokler ne prideš do konca. Kako se lotiš pisanja, da potegneš bralca noter?
S prvimi nekaj vrsticami želim izzvati svet, svet, ki zapelje in pritegne in dopušča likom, da se razvijajo z njim.
Omenjena zgodba želi zgolj prikazati, da lahko seks s politiki povzroči težave z zobmi.

Tvoj žanr gotovo zahteva ogromno razmišljanja in raziskave? Ali preprosto spišeš celo zgodbo v glavi, stuhtaš vse zaplete in zasuke in jo potem razvlečeš na papir kot testo za pico?
Zgodbe in romani zahtevajo drugačen pristop. Zgodbe pišem organsko. Romane pa raziščem in načrtujem. Včasih, odvisno od snovi, lahko to zahteva več raziskovanja.

Obisk na tvoji spletni strani dokaže, da si ogromno naredil. Tu so neštete povezave do tvojih zgodb po spletu. Kakšen je točno videti tvoj delavnik?
Pišem vsak dan. N to gledam kot na vajo teniškega servisa. Odgovarjam na elektronsko pošto. Ogromno tudi mrežim prek spleta.

Politiki v moji državi so precej nepriljubljeno krdelo. Pričakovali smo nove obraze, nova imena, imamo pa spet samo stare, ki preprosto menjavajajo položaje – ideja o človeku, ki jih kaznuje, se bi morala poroditi v glavi katerega od naših piscev. Kako in kje si dobil navdih za svoj debitantski triler?
V Vstajenju apostola sem želel pisati o serijskem morilcu, s katerim bi ljudje sočustvovali. Glede na nivo nepoštenosti, ki so je politiki zmožni globalno, je moj glavi lik, ki križa politike, osvojil srca in duše bralcev. Zdelo se mi je naravno, da bi morilec ciljal na politike.
V zgodovini smo doživeli atentate na politike, zakaj ne bi tega prenesel na serijske umore?
Razišljam, da bi začel lobirati za nov davek, ki bi prenovil korektno porazdelitev bogastva. To je davek na politične laži – vsakič, ko politika odkrijejo na laži, bi bil ta obdavčen med 10 in 90 odstotki plače, odvisno od resnosti njegove nepoštenosti.

Čudovito se mi zdi, kako ti in tvoji kolegi pisci eden drugega nesebično podpirate in navzkrižno promovirate: delate intervjuje, širite novice o novih delih itd … prek svojih blogov, Twitterja in Facebooka. Nobenega ljubosumja in zavisti …
Mislim, da se pisci kriminalk medsebojno podpiramo. To je čudna anomalija, kakrše nekdo od zunaj niti ne sluti. Za razliko od tistih, ki se posmehujejo žanrski prozi in se radi označujejo za literate, je med krimi pisci malo zoprnosti. Tukaj je tudi nekaj najboljšega pisanja na svetu. Osebno vidim literarno leposlovje samo kot še en žanr.

Kako bi opisal svoj slog?
Pišem kriminalke, grozljivke, literarno prozo in poezijo. Torej pogosto menjavam sloge. Svoj slog bi opisal kot opisnega in temnega. Rekel bi tudi, da je liričen in napet. Znan sem po tem, da v zgodbah menjavam smer in šokiram, pa tudi po psihološki globini in dobrih dialogih.

Katere pisce najbolj občuduješ?
Mislim, da sta bila Dostojevski in Dickens genija, enako tudi Shakespeare in Ben Jonson. Obožujem dela Grahama Greena, T. S. Elliota, Elmorea Leonarda in Cormaca McCarthyja. Seznam bi lahko nadaljeval.

Na poti je drugi roman – kaj pa pride za G. Glamurjem?
G. Glamur je zunaj. Pripoveduje o dizajnerskem svetu polnem dizajnerskih dobrin, lepih žensk, oblečenih v Versaceja in Guccija, ki obiskujejo svoje ljubimce, medtem ko jih opazujejo, in o morilcu med njimi. Sinopsis: Nekaj temnega preži na blišč prizorišča glamurja. Višji preiskovalni inšpektor Jackson Flare in inšpektorica Mandy Steele preiskujeta niz bizarnih ubojev bogatih in glamuroznih. Kamere, dizajnerske znamke, lepe ženske in premožni moški polnijo strani te temne pripovedi, ob kateri boste ugibali do nepredvidljivega konca. Vse je del pretresljivega skrivnostnega romana o svetu glamurja z neznanim vsiljivcem. Morilec v G. Glamurju se spona na dizajn in ve, kaj pomenijo blagovne znamke njegovim žrtvam. Njihove kože znamči. Po volji napada in uničuje in spravlja policijo v zadrego.
Višji preiskovalni inšpektor Flare in inšpektorica Steele skušata ujeti morilca, ki jima je zlezel v glavo. Med preiskavo vstopita v dvorano ogledal in se znajdeta pred zidom skrivnostnosti. Preiskava Flarea in Steelovo – ki tudi sama čuvata skrivnosti – pripravi k temačnim dejanjem. Morilec pa vse opazuje.

Mr. Glamour - cover

Trenutno pišem dva romana. Italijanski založnik mi je naročil kratek noir roman, ki se dogaja v Londonu in obuja mesto. Prav tako pišem nadaljevanje Vstajenja apostola z odgovori na mnoga vprašanja. Antologija mojih zgodb Gorčični mož je kot eKnjiga izšla pri Pulp Metal Fiction. Vsebuje nekaj že objavljenih in nekaj novih zgodb o najljubšem kulinaričnem morilcu.

Kak nasvet za sveže mlade (in ne tako mlade) pisce?
Skušajte pisati vsak dan. Poskušajte brati, kolikor lahko in vprašajte se, kako avtorji dosežejo svoje učinke.

Hvala ti, Richard – užitek je bilo govoriti s tabo.
Hvala tebi, Renato, da si bil tako dober gostitelj, meni je bilo v zadovoljstvo biti tukaj.

A conversation with Richard Godwin

Our third literary guest is Richard Godwin, who has recently released Apostle Rising, a thriller about the man crucifying politicians. He writes dark crime fiction with a touch of horror and has his stories published both in traditional and digital form plus stories published all over the net. You can read more about him and his work at www.richardgodwin.net, where he also blogs, features interviews with fellow writers (Chin Wags At The Slaughterhouse), has links to great many of his stories, etc … His second novel is called Mr. Glamour – so, keep an eye on this guy!

Richard Godwin

Hi, Richard. Thanks for giving me chance to have a conversation with you. Tell our readers something about yourself, please.
I write crime and horror fiction, poetry and also literary fiction. I started writing plays. I used to lecture in English and American literature at London University. I was born in London and travelled the world extensively as part of my career and cultural interests. I blog at The Slaughterhouse, where I hold unusual and popular interviews with authors.

“Candy lost a tooth giving the mayor of Spruceville a blow job”, that’s how one of your stories (Welcome To Shitsville, Asshole) starts – now, that’s a line, that does not allow you to walk away until you reach the end of the story. How do you approach your writing to pull the reader in?
I try to evoke a world in the first few lines, a world that will entice and engage and then allow the characters to develop within it.
That story just goes to show that sex with politicians can cause dental problems.

In your genre you certainly need a lot of thought and research? Or you just write the whole story in your head, think up all the twists and turns and then spread it on the paper like pizza dough?
Stories and novels require a different approach. I write my stories organically. I research my novels and plan them. Sometimes, depending on the material, that may require more research.

A visit to your web page proves, that you’ve done a lot. There are literaly countless links to your stories all over the net. What exactly is your typical workday like?
I write every day. I see it like practicing my tennis serve. I answer my emails. I also do a lot of online networking.

Politicians in my country are quite unpopula herd, we expected new faces, new names, but there are only old ones on the current scene, just changing positions – an idea of a man punishing them should have appeared in some of our writers’ heads. How and where did you get inspiration for your debut thriller?
In Apostle Rising I wanted to write a serial killer people would empathize with. Given the level of dishonesty politicians are capable of globally, my protagonist, who is crucifying politicians, won the hearts and minds of readers. It seemed natural to me that a killer would target politicians. Historically we have seen assassinations of politicians, why not take that to serial killings?
I am thinking of lobbying for a new tax that will restore the correct distribution of wealth. It is a tax on political lies, every time a politician is exposed in a lie, he is taxed between 10 and 90 % of his salary, depending on the severity of his dishonesty.

What I find wonderful is, how you and your fellow writers unselfishly support and cross-promote each other: doing interviews, spreading the word of new works, etc … via your blogs, Twitter and Facebook. There is no sign of jelausy or envy …
I think crime writers are mutually supportive. It is a strange anomaly and one an outsider would not suspect. Unlike those who sneer at genre fiction and wish to label themselves literary, there is little bitchiness among crime writers. There is also some of the best writing in the world. Personally I see literary fiction as just another genre.

How would you describe your style?
I write crime fiction, horror fiction, literary fiction and poetry. So I change styles a lot. I would describe my style as descriptive and dark. I would say it as also lyrical and tight. I am known for changing direction in my stories and for shocks. I am also known for psychological depth and good dialogue.

Are there any writers you admire most?
I think Dostoyevsky and Dickens were geniuses, as were Shakespeare and Ben Jonson, I love the works of Grahame Greene, TS Eliot, Elmore Leonard and Cormac McCarthy. The list could go on.

Yor second novel is on its way – what is coming after Mr. Glamour?
Mr. Glamour is out now. It is about designer world full of designer goods, beautiful women wearing Versace and Gucci, visiting their lovers while watched, and a killer in their midst. Here’s the synopsis:
Something dark is preying on the glitz of the glamour set. DCI Jackson Flare and Inspector Mandy Steele investigate a series of bizarre killings targeting the wealthy and glamorous. Cameras, designer labels, beautiful women and wealthy men fill the pages of this dark narrative that will keep you guessing until the unforeseeable end. All part of a gripping mystery novel about a glamorous world with an unknown intruder. The killer in Mr. Glamour knows all about design, he knows what brands mean to his victims. He is branding their skins. He is invading and destroying at will. And he has the police stumped.
Detective Chief Inspector Flare and Inspector Steele try to catch a killer who has climbed inside their heads. As they investigate they step into a hall of mirrors and find themselves up against a wall of secrecy. The investigation drives Flare and Steele—who are themselves harbouring secrets—to acts of darkness. And the killer is watching everyone.

Mr. Glamour - cover

I am currently writing two novels. I have been commissioned by an Italian publisher to write a Noir novel lite, it is set in London and evokes the city. I am also writing the sequel to Apostle Rising, many questions will be answered. I have stories going into various anthologies, among them Pulp Modern. And the anthology of my Mustard Man stories has been published as an E Book by Pulp Metal Fiction, It contains some previously published and new stories about this favorite culinary killer.

Any advice to fresh young (and not so young) writers?
Try to write every day. Try to read as much as you can and ask yourself how the author achieves his effects.

Thank you, Richard – it’s been a pleasure talking to you.
Thank you Renato for being such a great host, it’s been my pleasure to be here.

In God’s Country

I am proud to present you a story, writen by Joseph Grant – I asked him a couple of questions in our interviews section some time ago. The story is being translated at the moment for our Slovenian readers … Enjoy! :)

In God’s Country
By
Joseph Grant

There are many ways in which to kill. And in war this deficiency in man has been perfected to a horribly efficient degree. Besides the appalling experience from which one never truly recovers, one of the most difficult lessons of any war is the peace that follows. Not that peace is by any means difficult to endure, it is the fragility of it which must be maintained in order to avoid the next conflict that proves the most fleeting. This is also true in the serenity that comes in the form of peace of mind and to this end, Jack Spangler had made it home from the war, but not without leaving pieces of himself back out there, behind the lines.
This is not to say that Lance Corporal Spangler had gotten through the war physically unscathed, for he had not. He had been wounded twice, once seriously and recovered each time only to be sent back to the action. He was classified as “collateral damage” and reverted back with the rest of them. In the old days, getting wounded in such a manner was a soldier’s golden ticket home, but no one was going to the wars these days and the military needed as many men and women as could be mustered. With medical technology being what it is at present, Spangler was opened, reassembled, made new with titanium rods and screws and patched up with the military’s new idea that no IED or road-side bomb would ever again take the modern soldier completely out of the field.
The war was behind him now, he thought as he wandered the heavily fogged early morning streets of his hometown of Deer Creek, California, a small wedge of suburbia in an otherwise still rural Silicon Valley. He had gotten off the train at the station a mile back, carrying his suitcase and duffle bag, having been dropped off at Union Station in Downtown Los Angeles by a group of naval buddies who had also discharged out of San Pedro.
He was still drunk from an afternoon of revelry and hard partying at the first place he saw across from the depot, Olvera Street. The pedestrian area was a Mecca of little Mexico and he limped into the first bar he found, La Golondrina. It was deep and dark cavernous restaurant with a chiminera that held a fire almost as warm as the colorful frescos upon the wall. It was a lovely place, quite a find off of the touristy street, he thought and it seemed everyone there wanted to buy him a drink and every girl wanted to talk to him but did not want to sleep with him as he had hoped. If any of those beautiful Latinas had taken him to their place and welcomed him back to the United States the way he pictured, it would have been the ultimate soldier’s welcome home, he smirked, but those girls were far too Christian, he cursed and he was getting far too drunk to properly salute, if they had.
They were willing enough to let him buy them drinks and kiss him and run their hands through his buzz cut at the bar or run their hands up his dress blues, but that was as far as it went as his money dwindled, he groused. Maybe it was the celebrity of it, them being seen with a soldier just back from the war, the same way women behaved around police or firemen. He was just another man in uniform, it didn’t really matter who the man was, as long as there was a uniform. He could have been a serial killer for all they knew and in a sense he was, but he was sanctioned by and given absolution by the government to do so, so no one thought twice about it and called him a hero. That was the crazy part about it. No one even blinked when he admitted he liked killing the enemy.
It had taken him nearly the entire night to catch a train close enough in which he could transfer at two stations to get back home, but he was finally in the place he had dreamt about many nights in the foxhole. It was surreal being back, walking the quiet, sleepy streets once more and he wondered why in hell he had rushed back. As he walked further into town and passed by the closed businesses with the boarded up windows, he wondered what he had been thinking wanting to come back so soon to a place he had always planned on escaping first chance he got.
9/11 and the military had provided that chance. He was still in school when that whole catastrophe went down and his whole fragile mindset was shaped by seeing it happen on TV and its aftermath. His family, fracturing at the time, although he didn’t know it, rode the wave of fervent patriotism in shock and awe with the rest of the country. As soon as he was able, he kept a promise to himself and enlisted. Almost immediately after basic, he was shipped out and pulled an endless series of tours in places he had never heard of before. He would fight in historic battles that would soon become familiar to those that followed the war in Iraq and Afghanistan. Battles such as Ramallah, Operation Base Lane in the Zabul province, Tora Bora or Operation Mountain Fire in Barge Matal; working with the CIA paramilitary in Operation Anaconda and to train the newbie ISAF’s that came onboard. Spangler remembered becoming annoyed in one of the bars when one of the embedded reporters, a well-known cable news correspondent, recounted the battle of Ramallah as if he’d personally been there when nearly everyone knew he stayed inside the safe Green Zone and even went to so far as to correct Spangler, just because he had read about it in Time or Newsweek!
Spangler shook his head at the memory as he hobbled the long, empty columns of sidewalk towards his old school which was due to open in a few hours, he smiled. He had spent many useless hours there in captive audience with many a failed orator and useless human being who sought to impart their curriculum by subjugation and cruelty resulting from their own shortcomings rather than by any intellectual means. Spangler recalled that the parking lot taught him more about life and what to expect, whether it was from the girls he scored with in his car between classes or the pot that was smoked or the fights he won and lost. It was terrible to think of school as just a building, but if it was filled with instructors who had already given up on themselves, how could they ever teach with enough veracity and get through to their impressionable students, he wondered?
He trudged along in the chill, as the seasons were changing and it was finally then that he spotted the house he grew up in and he contemplated how much had changed since he had last been home. While he was fighting for his country, his father had died of lymphoma, no doubt a souvenir of his days spent working with chemicals at the textile plant and his mother had been showing early signs of dementia. His brother had turned gay and his sister had married a so-called “bad boy” and as a result, had endured a rocky relationship that translated into an equally abusive marriage where she somehow managed to have a baby girl in the midst of this loser’s various prison stays. He left her for a lengthier sentence other than marriage and subsequently divorced her, but only after getting her hooked on meth. His excuse being that he had found God while in the correctional facility and as a result, couldn’t have a wife who was addicted to drugs. One man’s family, mused Spangler as he walked along. He recalled one of his brother’s letters saying his sister was now strung-out and living with some equally amped-up tattooed biker in Arizona and if he had read in between the lines correctly, she was now hooking to support both their habits. He sighed as he reached the front door. More had changed than just the seasons around here, he mused.
His mother answered the door or rather, a washed-out contrast of what once was. She seemed to have aged considerably since his last leave. She closed over her bathrobe, opened the door and gave him a quizzical look for half a second and then the old recognition returned to her face and she smiled and unlocked the door. Jack followed her down the hallway, his boots plodding noisily behind the patter of his mother’s silky slippers. As he reached the kitchen, pulled out a chair with a squeak and sat down, his mother began to prepare coffee.
“It’s so good to have you home again, Jacky, in one piece.” She said as he noticed how worn out she appeared in the stark fluorescent kitchen light.
“…’s good to be home.” He said quietly.
“I thought you were getting out next month.” She wondered aloud.
“No, it was yesterday, Ma. ” He sighed. “I wrote you all about it in the last letter.”
“Oh, you’re right, you’re right.” She smiled. “It’s good to have you home, Jacky.” She repeated.
Jack ignored her. “Hey, Ma…you got any of that French toast I like in the freezer?”
“Let me check.” She said and walked over to a freezer door that was covered with magnets. There was a child’s drawing of blue flowers in a field and an orange sun and what looked like a giant in blood red held up by a 9/11 magnet that read: “Never Forget”. Jack smiled at the drawing.
“You know, I could always make you homemade French toast.” She said as she looked through the freezer and started to unpack frozen corn and peas onto the counter.
“Nah, I don’t want you to go to any trouble, Ma.”
“It wouldn’t be any trouble, Jacky.” She smiled.
“If you have the store-bought, I’ll take that. I love that stuff.”
“Oh, but Nick.”
“Jacky, Ma.”
“Oh, yes, I’m sorry.” She said. “It’s uh, it’s probably old.” She said as she pulled out the familiar red box and turned it over to look for the expiration date.
“That’s all right, Ma. I’ve been eating C-rations for the last two years. I like the way this stuff tastes, old or not. I like the way you make it.” He smiled. “Reminds me of being a kid.”
“This is probably here from the last time you were on leave.”
“It doesn’t matter.”
“Please, let me make you home made. It’ll take me just a minute.” She said and started to unpack the refrigerator onto the counter.
“Ma, would you forget about the home made French toast and just use the store bought?” He snapped.
“Sure, Jacky, sure. You don’t have to raise your voice.”
“I’m sorry, Ma.” He said somewhat ashamed. “But you’re making a big deal about me being home and all and I just wanna relax, ya know?” He explained as his mother read the directions of the store bought. “Just put them in the toaster, Ma.”
She looked up and at him and put the box on the counter. She began to wring her hands. “How’re you doing, Jacky?” She asked. “They feeding you okay?” She said and pulled out three slices and put them in the toaster and pressed the button down. “You look a little skinny.”
“Yeah, I’m fine, Ma.” He nodded. “How are you? You still having that lady coming by looking after you?”
“I’m okay. I have my good days and my bad. The doctor’s got me on this new prescription. I’m okay, like anyone. You mean, Mrs. Mitchell?” She said as her demeanor changed. “I think I’m going to have to get someone else.”
“Why?” He said exasperated. “I thought you liked this one?”
“I think she’s stealing from me, Jacky. I can’t seem to find anything anymore. Little things. I’m finding them in the strangest places. Places I know I didn’t put them. Last week, I found fifteen dollars stuffed in the icebox. I think she’s stealing and then when she hears me coming, she shoves things where they don’t belong. The other day I found my bedroom remote in the sock drawer. Things like that.”
“What would she want with your remote?” He wondered.
“I don’t know, Nick, uh, Jacky.”
“All right, if it will make you feel any better, I’ll check up on it.” He said as the toaster dinged and spit out three slices of toast. Jack jumped up and prepared it the way he liked it, margarine and lots of sugar and cinnamon, but no syrup and then noticed the corn and peas still on the counter thawing. With the clock ticking loudly in the afterthought of silence, he quietly walked over and placed them back into the freezer as his mother stared ahead and tapped her fingers upon the placemat in front of her.
“Is this Caitlin’s?” He asked as the artwork taped on the fridge wavered with the closing of the freezer door.
“Who?”
“Caitlin?” He said. “Your granddaughter?”
“Oh, yes.” She turned and nodded. “I know who she is, smartass.”
“Uh-huh.”
“Yes, that’s my little granddaughter. Quite the artist. Just like her grandmother.” She sang.
“Uh-huh.” Jack said and slunk down again in his seat.
“So, have you thought about what you’re going to do now that you’re out of the service?”
“Nope.”
“That’s okay, you still have time to think about things. Maybe I can get you to fix a few things around here.”
“Maybe.” He said and started to eat.
“I can call up your Dad’s old boss, Mr. Murphy. Maybe he can take you on.”
“Ma, the textile place closed down years ago. Besides, old man Murphy died years ago. He died before Dad did.”
“Oh, you’re right. What the hell is wrong with me? Honestly, I swear. What was I thinking, Jacky?” She said and shook her head. “Honestly, I don’t know where my mind has been lately. I guess I’ve been worrying about you.” She smiled and rubbed his hand. Jack genuinely returned the smile. For a brief while, it was if she had returned again.
“Have you heard from your brother?”
“Bryce?” Jack asked. “Yeah, he’s written me here and there. Talked to him just before I shipped out to come back. He’s doing all right.”
“I wish he would settle down. He’s still living the gay bachelor life, as we used to call it before gay meant something else. Him and his roommate, they should both grow up, settle down with nice girls, if you ask me.” She said pointedly.
“I’ll see if I can talk to him.” Jack lied. She was closer to the truth than she knew, he thought.
“You hear from Elaine?”
“Nope.”
“She’s another one. I don’t understand that girl.”
“She sent you that drawing?” Jack said absentmindedly.
“Yeah, last year. The only time I hear from her is around her birthday or when her boyfriend beats the hell out of her.”
“Ma, she calls you on her birthday for money for drugs.” Jack said, no longer wanting to keep the big family secret.
“She told me she was clean this time.”
“That’s what she always says.” Jack griped. “Do yourself a favor, hang up on her the next time she calls, okay?”
“Well, when I start hollering at her, she threatens me that she’ll never let me near Caitlin again. Breaks my heart, so I have to try and remember to be nice to her.”
“I thought Caitlin was going to be in foster care or something?”
“Well, turns out the family changed their mind once they found out she was from druggie parents. Then, Elaine wanted me to take her but you know I can’t, so she pleaded and cried her eyes out to the judge and frankly, I don’t know who the bigger jerk is, her or that judge but the stupid judge awarded her custody.” She rolled her eyes. “She’s my only grandchild. It’s not like I can depend on you or Bryce before I die.” She smacked at Jack’s arm, making him drop his fork. “Come on, give Lisa a call.”
“Ma, come on.” He snarled, remembering all of the drama Lisa had put him through. She was beautiful, with what most women would call a cute figure but that was not what most guys called it, he recalled with a knowing smile. The smile faded as he remembered what a psychotic she was and how as an engagement gift, he bought her a ring and the 300 CCS of augmentation she had always wanted. He recalled how afterwards, she thought she was a centerfold-in-the-making and as a result, never let Jack forget it. She cheated on him while he was in basic and he broke off the engagement and dumped her and remembered how stupid he was to agree to get back together with her. They didn’t make attention whores any more desperate than this one and the less attention he could give her, the better.
“Why don’t you call her?”
“Leave it alone, Ma.” He said as scarfed down and he finished the last of his breakfast.
“Just call her, you’ll see.”
“I gotta get some air.” He said and stood abruptly.
“But the coffee’s not even ready.” His mother said absently. “Don’t leave. You just got here.”
“Later, I’ll have it later. I gotta get outta here.” He snapped and bolted tiredly out of the door. It was against his better judgment, but he needed to remove himself from the situation. He thought about what happened next as he sat with his psychiatrist a month later.
“I went to the bar and had a few more drinks until I could forget about everything for awhile.”
“What did you need to forget about?” The man interjected.
“The war, people getting blown up right in front of me, body parts.”
“And this bothered you, why?”
“What? What do you mean why? Are you even listening to me?”
“Do you think people don’t listen to you, Jack? Do you feel inferior and this is compensated by your need to lash out at those around you, so you can get noticed?”
“What?” Jack snapped. “I think you’re the one who’s crazy.”
“Interesting.”
“What?”
“Nothing.”
“You think I’m paranoid now, huh?”
“If you say so.” The man smiled at his own in-joke.
“So, I was at this bar and this girl walked in.”
“And this excited you?”
“Well, sure, yeah, doc. Whatever. So, we started getting talking and comfortable and all and I wanted to get to know her better, ya know, but she wanted to dance and I couldn’t on account of my leg.”
“Go on.”
“She started to mock me about my leg, saying I was probably lying about the war just to go to bed with her and that I probably couldn’t dance anyway and this was an excuse. She was a real weird sort of girl. Had a twisted sense of humor.” Jack shook his head. “I wanted to go home with her, but she didn’t seem too interested or I was getting too drunk again.”
“So, you don’t think you could have performed?”
“Huh? I don’t know. I guess so. I was getting pretty drunk.”
“Why do you feel the need to drink until intoxication? Can’t you drink socially?”
“I don’t see the point, if you ask me. I like the way it makes me feel. Like I said, I’m trying to forget about things.”
“Why? You knew you were going to be called into combat if you went in the military. It’s not much of stretch, Jack.” He nodded. “It must have occurred to you at some point-”
“Yes, thank you for stating the obvious.”
“Do you always feel the need to deal with situations that bother you or upset you with sarcasm?”
“Maybe.” He said caustically. “Well, it seemed appropriate.”
“So, getting back to this girl you met at the bar…what happened with her?”
“Well, we were talking and I turned on the charm and then the talking led to kissing and then we left in her car. We went back to her place and I remember her making fun of my wounds. Can you believe that?”
“People don’t owe you anything because you were wounded.”
“But I fought for this country!”
“I’m not saying that. I’m saying don’t expect people to give you a break. It’s not in their nature. So what happened next?”
“Then I woke up. There was blood but she was nowhere to be found.”
“How much blood? A lot? A little?”
“Like a nosebleed or something, but she was gone. I don’t know what happened. I’m not sure if she had a nosebleed or maybe it was her time of the month or maybe she was a virgin or something.”
“We both can say with an air of certainty she most likely wasn’t a virgin.”
“I guess.” Jack said confusedly. “I think she just split and went to work.”
“What makes you say that?”
“Her car was gone.”
“Do you think maybe you physically attacked her and then took her car and dumped her and the car somewhere?”
“Stick to what you do best, doc and it isn’t police work. Like I said, she was gone.”
“And this made you mad?”
“No, it made me feel completely alone. To answer your assumption, I didn’t hurt her. At least not that I can remember.”
“It’s interesting that you forgot. Just like with your mother and her dementia.”
“Oh, please. I don’t have ‘mother’ issues.”
“Father issues?”
“I don’t think so.”
“Well, I think that being in the war would bring that sense of abandonment to the forefront by your own admission of a distant father to some sort of closure, at least. What do you think? ”
“Do I think that he’d be proud of me? Yes. Did I join up to heal the wounds between us and close the gap? Sure.” Jack acknowledged. “He was in the war. But he never wanted to talk about any of it.”
“My father was in the war, too. I thought about joining up to be honest, you know, to make the old man proud, but I went to college instead, got my degree.” He pointed to the wall. “You and my old man would’ve gotten along famously. He always talked about his war effort.”
“We’re here to talk about me, remember?” Jack chided him.
The psychiatrist cleared his throat. “War is such a noble endeavor, brings out bravery in man, the cowardice in lesser men. Do you know who said that?”
“No and I don’t care. What would you know?” Jack exploded. “Sounds to me like you’ve never seen war except on TV or in the movies. Same with your old man. Anyone who has ever been in real combat doesn’t want to talk about it. Sounds like your old man was making up stories, if you ask me. Making himself bigger than he was.”
“My father was a great man, I’ll have you know.”
“Sounds like you’re the one with ‘Daddy’ issues.” Jack snickered.
“Mr. Spangler, that will be all for today.” He said and cleared his throat. “Until next time?”
“Sure, whatever.” Jack stood and walked out, slamming the door behind him as the flimsy wall shook. He was pissed. He didn’t even care if the hot MILF secretary he had always wanted to bang thought he was a psycho. The guy she worked for had no business glorifying wholesale slaughter like it was some heroic adventure.
As he walked out of the professional building, past the dry-cleaners, the movie rental store and the pharmacy, he noticed for the first time all of the flags flying and the yellow ribbons attached seemingly to every tree, their imitation silk shamelessly tattered and threadbare and forgotten as the country’s patriotism. Everywhere, banners waved with red, white and blue, but even though the expression that people once used was “These Colors Don’t Run”, the ink that the Made in China banners bore had faded with age and exposure to the elements.
He spotted his own banner hanging off of a light pole and climbed up and grabbed at it until he ripped it down. As far as he and the United States Government were concerned, his tour of duty was officially over and this was tantamount to false advertising. A passing police cruiser slowed down but kept going as Jack glared at the young recruit.
He wandered the town he had grown up in and felt alienated from it all. He had gone and seen the world and yet the world that shaped him to be that soldier stayed monotonously the same. Nothing had changed, except for him. The old men still congregated on the benches and watched the world go by and did nothing but age. The girls at the high schools made him think of the dripping, teenaged whores he and his regiment sought comfort with in Afghanistan and it made him turn his head in shame. Surrounded by people he knew all of his life, he never felt so alone in his entire existence.
The buildings, the schools, the shops, the houses, the narrow lawns and minds all stayed the same as if everything had regressed into some sort of Perfect Town, USA and all of them were blissfully unaware of the carnage just outside their border.
Innocuously, people were outside in oversized Havana hats and gardening gloves, watering their lawns or working on their cars wherever he went as butterflies were fluttering and birds chirping in the bright afternoon sunshine while a whole generation was dying overseas. It was if people were blithely oblivious by fault or comfortable design to what was truly going on in the world. Whereas this idyllic scene would have reassured the returning solider, it infuriated Spangler. The peace of mind he sought was nowhere to be found in the small town he dreamt about returning to while on the front lines. Even though he was barely old enough to drink, the worm was already turning inside his fevered mind. Sometimes, he wished he could shoot it all away.
He was unable to find steady work on account of his injuries and it depressed him. No one wanted to hire a veteran who would be out for months at a time because of corrective surgeries and the physical therapy that would follow thereafter. He hated the way people stared at his limp. Only a monthly government check kept his restless head above desperate waters.
He could always go back to the war. That was the thing with man. Man would always provide another war to go to. For the time being, ex-Lance Corporal Jack Spangler would remain a casualty of peace; a peace he helped foment. Peace was lousy and monotonous but that was the prize of war, controlled chaos. It was the peace that would prove to be the hardest battle he would ever face. The pills the psychiatrist gave him staved off the rage that boiled inside. He just hoped the war within him would not erupt in the meantime.